Sony Cyber-shot DSC RX100 VI review Jul 12, 2018 Sony reveals Cyber-shot DSC-RX100 VII super-compact with 90 fps bursts and mic socket Jul 25, 2019 Panasonic DC-LX100 II Review Dec 19, 2018 More about gear in this article. See our Sony RX100 VA review to find out what new features and performance the processor upgrade provides. However, speaking personally I wouldn't hesitate to use anything up to ISO 1600 equivalent in any conditions, and even up to ISO 3200 you're only really losing the very finest details, with picture quality still pretty darned good overall. You can adjust the aperture ring to be de-clicked as well, which is perfect for making quiet aperture adjustments, which could prove useful to videographers. I found that I could get shots where the racers' helmet and shoulders came close to filling the frame, towards the end of bursts that had tracked focus successfully all the way from the other end of the straight. (Note that at the lowest frame rates, the camera does come fairly close to recording at the Full HD output resolution, with a capture resolution of up to 1,824 x 1,026 pixels. Sony's venerable RX100 compact camera series has now reached its seventh iteration with the launch of the RX100 VII. (In the past, I've estimated their karts to be capable of around 25mph, which while still far short of the claimed 40mph, is probably a good bit faster than any other kart track in my area.). Colors feel a bit muted by ISO 6400, and noise does start to intrude a bit if viewing 1:1, but even all the way up at the maximum native sensitivity of ISO 12,800-equivalent you can get very usable results. In this second part, we'll look at low-light / high-sensitivity stills in a sunset shoot around my hometown of Knoxville, Tennessee, and we'll also head down to the Smoky Mountains for an action shoot in the tourist town of Pigeon Forge. Slow-motion video doesn't lend itself well to long clips in the first clips, and the RX10 IV lets you choose whether to start the clip at the moment you press the video button, or to record continuously and then keep only the last few seconds from before you pressed the button. It makes for a good test of autofocus and tracking performance, as the karts move fairly predictably and with reasonable speed. by Mike Tomkins and Jeremy ... that the Sony RX10 IV is based around the exact same 20.1-effective megapixel image sensor as in the pocket-friendly Sony RX100 … So... the body we all know and love from the RX10 III remains almost unchanged. It retains its predecessor's ability to shoot ultra-high definition 4K or high-def 1080p videos in XAVC S or AVCHD formats using the full sensor width without line-skipping, and at a maximum sensitivity of ISO 12,800-equivalent. (Not all of the shots from the gallery are included in this field test or the one which preceded it, so you'll want to make sure to browse through the remainder here.). In some respects, that's a great thing. It's a pocket powerhouse that combines a 28-200mm equivalent zoom with 20fps shooting (up to 90fps in a new short Single Burst shooting mode), 4K video capture now with human and animal eye AF and the performance (says Sony) of its flagship full frame mirrorless sports camera, the A9. (But unlike a DSLR, this lens is permanently fixed in place, giving Sony advantages in packaging that have allowed far, far more zoom reach than you'd expect to find in an SLR camera with a similarly-sized lens.). The Sony RX100 Mark VII is the latest iteration of Sony's diminutive RX 100 series cameras. Shares. Take it away, Jeremy! With the Sony RX10 IV, the company has clearly put a big focus on performance, just as it did with the fifth-generation of the RX100 series, the Sony RX100 V. But where all of that performance didn't necessarily always make sense in such a pocket-friendly camera, it will be a whole lot easier to make the best advantage of the power underlying the RX10 IV thanks to its much more powerful zoom lens. Much like its predecessors in the RX10-series -- as well as the pocket-friendly RX100-series which share the same sensor size -- the RX10 IV does a great job in low-light conditions, by fixed-lens camera standards. 858. Still, you can slip it into … Full HD clips can also be recorded in AVCHD format, and frame rate options include 24, 25 or 30 fps at either 4K or Full HD resolution, plus 50p, 50i, 60p and 60i at Full HD only. On the outside of the camera body, if you ignore the change in the model number, there are only two significant differences to be found. Plenty of control is available over the look of your footage, with profiles included for ITU 709, S-Log 2 or S-Log 3 gamma curves, among others, and support for manual adjustment of black gamma, knee, color mode, saturation, phase, depth and detail. The solid-feeling camera is really small, measuring just 4 x 2.4 x 1.7 inches and weighing 10.7 ounces with battery and memory card loaded. You can also record slow-motion video with capture rates of 240, 480 or 960 fps for playback at 24, 25, 30, 50 or 60 fps. Sony RX10 Mark IV hands-on shooting report. And the same attributes that make it great for sports will also prove very helpful with other active subjects like kids and pets, too! These 315 PDAF points are broadly distributed across 65% of the image frame, ensuring that your subject should be adequately covered no matter where you want to place it, or to track it around the frame. The original Sony RX10 single-handedly created the large-sensor, long-zoom camera market, and the followup RX10 II -- of which I personally own a copy -- further refined the experience while adding a performance boost. And nor will that interchangeable-lens camera be capable of the mindblowing burst capture and autofocus performance of this camera, or anything even remotely approaching it. To make a long story short, having a smaller sensor than that in an ILC is just the tradeoff you have to make if you want this level of performance in a camera of this size and cost, especially when it has no strong rivals. I've included a raft of images below shot at ISO 1000 or above through all of the native sensitivity range, so you can make the final judgement for yourself, as there's certainly a measure of personal taste here. Sony Cyber-shot RX100 VI review Sony's pocket powerhouse By Phil Hall 13 June 2018. You can also capture still images during movie capture at either 4.2, 7.5 or 17-megapixel resolution, or have the RX10 IV capture some stills automatically as it detects attractive compositions. To get an idea of how well the Sony RX10 IV would perform with some reasonably fast-moving subjects, I headed down to an old favorite shooting location: The go-kart track of Xtreme Racing Center in Pigeon Forge. The Sony Cyber-shot RX10 Mark IV is the best all-in-one camera you can buy, whether you’re a photographer or videographer. ... but the popularity of Sony's RX100 line goes some way to explaining how we got here. The subject detection algorithms too often jump onto another object and start tracking that instead. The important change here isn't one of resolution or pixel size, but rather of the new Sony Exmor RS sensor's performance and provision for on-chip AF. And if not, you can now use touch AF during movies, as well, and take advantage of the on-chip phase-detection pixels for smoother focus transitions from one subject to another in your scene. New to the RX100 series is Bluetooth connectivity, but it’s only used for geotagging your images, and disappointingly you don’t get any of the neat features it brings to the Panasonic TZ200 or Canon PowerShot G1 X Mark III. (Not sure what this means? And that was true even as the karts came impressively close to me. Time and again, the RX10 IV rattled off many dozens or even hundreds of shots in a row without missing focus on a single frame. You can input audio from either the built-in stereo microphone or a 3.5mm external microphone jack. Where the Sony RX10 III was capable of an already-swift 14 frames per second burst capture, the RX10 IV unlocks the same mind-blowingly swift 24 fps capture that we've seen previously in the pocket-friendly RX100 V. And that's with a JPEG buffer depth that's manufacturer-rated at a whopping 249 frames, enough for a full 10+ seconds of continuous burst shooting at the maximum rate. 10/11/2017: Performance posted Imaging Resource © 1998 - 2021. In both cases, it should feel capable and familiar. While you can capture excellent images from 24 to 600mm with gear from nearly all manufacturers, it's something special with the Sony RX10 series to be able to shoot crisp images across that entire range in a single camera, much less a camera that is comfortable to hold and weighs in at just 2.4 pounds (1,095g) loaded and ready to shoot. For example, if you're upgrading from an earlier RX10-series model, you'll be able to use the same NP-FW50 lithium-ion rechargeable battery packs that you already have on hand. The preceding RX10 III was already a fairly capable movie camera in its own right, especially by fixed-lens camera standards. And as Jeremy noted earlier, there are also new possibilities thanks to the newly-added touch-screen panel. Shares. A large "1.0-type" 20.2 megapixel CMOS sensor, 3.6x 28-100mm lens with a fast maximum aperture of F1.8, full 1080p high-definition video with stereo sound, high-resolution 3-inch screen, manual shooting modes, 10fps continuous shooting, ISO range of 100-12800, Raw support and fast auto-focusing are all … Watch this space for more formal performance testing at a future date, just as soon as we're able. We're already well covered for low-sensitivity shots in the gallery, though, so with the exception of the karting shots above, I've limited the shots in this field test and its corresponding gallery update to those shot at ISO 1200 and above. Predecessors, the RX10 III remains almost unchanged its predecessor 0.70x magnification, speaking in 35mm-equivalents. ) roster low... 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